Over the past years, the underground music scene has exploded like a firecracker and thrived as making music became more accessible. Among them, a newly eighteen year old rapper has seen his intense rise to popularity over the last year—and he’s a local talent, born and raised in Richmond. Gunner Shepardson, better known as Nettspend, has had one of the most impressive come ups in the recent rap world.
Throughout his youth, he struggled in school and after multiple suspensions ultimately dropped out of school post-pandemic at fourteen to pursue music full time. From the very beginning, Shepardson had an immensely unique sound that was unlike anything that already existed. His music was very experimental, and even in his earliest work you can hear his trap influence and distinct chaotic sound. His use of synth and distorted 808’s made him stand out in a sea of rising artists. From incredibly atypical samples ranging from Grimes to Deftones, to collaborating with all the best artists within the underground scene and creating music with up and coming rappers Osamason and Xaviersobased. Shepardson connected with Gen-Z in a way we had yet to see: a rapper that’s actually our age.
In October 2024, three years after Shepardson made the decision to make music full time, he released a single along with a music video that altered his career seemingly overnight, taking him from an underground artist to having a million listeners monthly. One month later in November 2024, he toured across the country in packed shoulder-to-shoulder venues. And then in December 2024, Nettspend released his debut mixtape ‘B.A.F.K.’ that skyrocketed to success, bringing in millions and millions of listeners—all before his eighteenth birthday. This album put him on the map outside of his fanbase bubble, allowing him to headline for his biggest gig ever, Rolling Loud, one of the largest festivals of the rap world. His debut album propelled him to such heights, he walked the runway for designer fashion brand Miu Miu and had enough demand for another tour, which just wrapped up last week right here in Norfolk. In the wake of all this success, Shepardson has announced his sophomore album “Early Life Crisis” will come out in June 2025 along with another countrywide tour.
Shepardson has a special connection with Gen-Z, not only due to his age but also his charisma that is unlike the typical womanizer rapper persona. Shepardson is ditching the ‘too cool for you’ attitude that many mainstream rappers uphold to this day and instead is trading that for authenticity with his fans and esoteric personality, along with being unashamed of being in a settled relationship. Some rap fans have drawn parallels between Nettspend and pioneer of the cloud rap genre, Jonatan Leandoer, better known as Yung Lean; both started seeing success at a very young age after making music nearly their whole lives, and both were not taken with any seriousness at the beginnings of their career. The two experienced their music being seen as more of a joke due to their experimental and, at the time, very new techniques and visuals, but with time and consistency they each garnered an audience of genuine fans that love their music for the reasons others may hate it. Yung Lean is now one of the most respected names in the music industry with his influence ignoring the boundaries of genres. Some fans think Nettspend will ultimately experience a similar arc. From his fashion statements, to his bubble gun he says he has with him at every show, to his crystal ball he says is his ‘essential’, the Richmond native is paving his own way in an oversaturated scene.
Dr.essl • May 21, 2025 at 9:36 am
My word—what a splendidly exhilarating piece of music journalism this is! Rarely have I encountered an article so resplendent in its celebration of youthful ingenuity, cultural disruption, and pure, unfiltered creative verve. One could scarcely read a paragraph without feeling the electric pulse of a generational shift echoing off the page.
This article chronicles the meteoric rise of one Gunner Shepardson, known artistically as Nettspend, with the kind of reverence usually reserved for Baroque prodigies or Romantic poets. And yet, the comparison feels not only apt but perhaps even necessary. Here, we have a young man—a mere youth of eighteen!—who, through sheer force of sonic originality and aesthetic boldness, has inscribed his name into the evolving lexicon of underground music with the permanence of a diamond on glass.
The article is masterfully paced, unveiling Shepardson’s evolution from a pandemic-era dropout to a national headliner with the narrative grace of a bildungsroman. We are treated not just to facts, but to a textured portrait of a figure who refuses to conform to the ossified archetypes of the rap scene. His penchant for chaotic soundscapes, his eclectic sampling (Grimes to Deftones? Chef’s kiss!), and his utter disregard for genre orthodoxy mark him as a true avant-garde visionary.
But what truly elevates this piece is its perceptive recognition of Nettspend’s deeper cultural resonance. The author astutely positions him not merely as an artist, but as a symbol—a voice that channels the anxieties, curiosities, and experimental zeal of Gen-Z. The comparison to Yung Lean is not only justified but serves to underscore the way Shepardson is reconfiguring the very ethos of rap stardom—from hypermasculine braggadocio to intimate, irreverent authenticity.
And let us not overlook the delightful details: the bubble gun, the crystal ball, the sartorial exploits with Miu Miu these are not trivial quirks but emblems of a broader reimagining of the rap persona. This article captures it all with such poise and poetic clarity that one cannot help but feel a kind of awe.
In conclusion, this article is not merely an account of a rising star it is an ode to boundary-pushing creativity and a document of cultural significance in the digital renaissance of underground music. I would recommend it be preserved in syllabi and syllabuses alike, taught not only in media studies but in courses on contemporary cultural theory, youth identity, and the new avant-garde.
Bravo. Utterly brilliant
Kelzabub • May 13, 2025 at 3:46 pm
I never heard of this young man but since he’s from Richmond I’m definitely going to do some research!